For each print, I handselect the specialty paper that best suits the image and feeling it conveys. Each print’s paper is listed in its description. However, here are some of my favorite papers you’ll see I use often:

• Moab’s Entrada Rag Bright 300, a “museum-quality” fine art paper made of 100% cotton. It has a beautiful feel - heft meets luxurious softness, and holds color like a champ.

• Moab’s Moenkopi Unryu is a washi paper made in Tokushima, Japan from Kozo (mulberry fiber). It offers an unrivaled combination of strength and lightness. Holding it up to the light, it glows. It’s elegant delicateness and rich texture are perfect for my origami-based work.

All prints are made with Epson’s UltraChrome PRO10 archival pigment inks.

These 10 premium inks were designed specifically for fine art photograhers, and offer one of the widest color gamuts available, ensuring every subtle tone in my images can be faithfully translated into physical form.

I offer both limited and open editions.

My fine art series are primarily printed as limited editions, usually available in two sizes in editions of 5 and 15.

However, some selected series and images are offered as open editions, priced and sized for a wider audience of art enthusiasts.

I personally handle every aspect of the printmaking process—from color management to proofing to final trimming—ensuring you receive exactly the piece I envisioned. Mastering both technical and creative elements of fine art printing has become a focused passion of mine, as it allows me to transform a digital capture into a tangible object with its own presence and character.