In an age where digital experiences increasingly replace physical ones, this series explores the middle path between technological advancement and embodied presence. Each piece begins with a moment of physical attunement—standing before a Pacific moonset or witnessing the perfect gradient of twilight sky—capturing not just an image but a meditative state of being. Only then does the process move through digital tools before entering the slow, deliberate realm of hand-folding on washi paper.

Working from my studio in San Francisco, surrounded by a culture that promises each new innovation will better connect us to our world and to each other, I find profound irony in how disconnected we've become from immediate sensory experience. These folded landscapes represent my response to this paradox—not a rejection of technology's gifts, but an integration that honors both innovation and traditional craft. The digital tools that make these works possible—from high-resolution cameras to sophisticated editing software to archival printing—are remarkable achievements, yet remain most meaningful when serving as bridges back to physical engagement rather than replacements for it.

The tessellated patterns transform flat images into subtly three-dimensional forms that respond to changing light throughout the day, creating an experience that cannot be replicated on screens. This physical transformation serves as reminder of what we risk losing in a world increasingly lived through digital proxies—the embodied satisfaction of making, the quiet noticing that comes with slowness, and the grounding sensation of being fully present in a specific moment and place.

Through this marriage of ancient craft and modern technology, these pieces invite viewers to consider how we might use our remarkable digital tools with greater intentionality—not as escapes from the physical world, but as pathways toward deeper engagement with its beauty and complexity.